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Hey Guys! Its Imogen Here! Back at It Again With Another Youtube Video!!

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English musician (born 1977)

Imogen Heap
Web Summit 2018 - Centre Stage - Day 2, November 7 DSC 5287 (44853624505) (cropped).jpg

Heap at the 2018 Web Summit
Born

Imogen Jennifer Heap


(1977-12-09) nine Dec 1977 (age 44)

Romford, London, England
Education BRIT Schoolhouse
Occupation
  • Singer
  • musician
  • songwriter
  • record producer
Years agile 1995–present
Partner(south) Michael Lebor
(2012–nowadays)
Children 1
Musical career
Genres
  • Popular
  • electropop
  • alternative rock
Instruments
  • Vocals
  • piano
  • cello
  • clarinet
  • guitar
  • drums
  • array mbira
Labels
  • Almo Sounds
  • Megaphonic
  • RCA
Associated acts
  • Guy Sigsworth
  • Frou Frou
  • Acacia
  • Jeff Brook

Musical creative person
Website imogenheap.com

Imogen Jennifer Heap (built-in nine Dec 1977) is a British singer, musician, songwriter and record producer. Her work has been considered pioneering in pop and electropop music.

Heap classically trained in piano, cello and clarinet starting at a young age. She began writing songs at the age of xiii and, while attention boarding school, taught herself music product. After being discovered by manager Mickey Modern while attending the BRIT School, Heap signed to contained record label Almo Sounds at the age of 18 and afterward began working with experimental pop ring Acacia. She released her debut album, an alternative rock record, I Megaphone, in 1998. In early on 2002, Heap and English language record producer Guy Sigsworth formed the electronic duo Frou Frou and released their only album to date, Details (2002).

Her 2d studio anthology, Speak for Yourself, was released in 2005 on her own label, Megaphonic Records, and was certified aureate in the Usa and Canada. The album spawned iii singles: "Headlock", "Goodnight and Get", which became her highest-charting single every bit a lead artist on the Great britain Singles Chart, and "Hide and Seek", which was certified gilt in the United States and gained popularity afterwards existence used in the Fox teen drama tv set series The O.C.. Heap'south 3rd studio album, Ellipse (2009), peaked in the top 5 of the Billboard 200 chart and received mostly positive reviews. This was followed by her fourth studio album, Sparks (2014). In 2017, she reunited with Sigsworth equally function of Frou Frou.

Heap developed the Mi.Mu Gloves, a line of musical gloves, as well equally a blockchain-based music-sharing program, Mycelia. She also composed the music for the West End/Broadway play Harry Potter and the Cursed Child. Over the course of her career, she has received two Grammy Awards, one Ivor Novello Award, and one Drama Desk Award. In July 2019, Heap was awarded an honorary doctorate from Berklee Higher of Music.[1]

Early life [edit]

Imogen Jennifer Heap[2] was born on 9 December 1977[iii] [4] in Havering, Greater London.[5] Her name was inspired by that of British composer Imogen Holst, as her female parent wanted Heap to become a cellist like Holst.[6] She played music from an early on historic period, first learning the piano due to "wanting attention" as a centre child and realizing, according to her, that "it was something [she] could brand a lot of noise with".[7] She did not enjoy playing the music of classical composers such as Bach and Beethoven, and would instead effort to play in their style to convince her parents she was practicing their music.[8] As a child, she began recording music past recording herself playing pianoforte on cassette, then recording herself over again singing over it.[nine] She soon began taking lessons and became classically trained in several instruments including piano, cello and clarinet while attending Friends Schoolhouse, a private, Quaker-run boarding schoolhouse in Saffron Walden.[10] [11] At around age 10, she began composing Christmas carols for her schoolhouse's choir.[eight]

Due to beingness placed a year above children her age, Heap claims she did not get forth with many people from the school and spent most of her time in the music room practicing piano.[seven] She stated, "In boarding school...I was mocked well-nigh the clothes I wore, the manner I looked, whatever. People at that place actually did regard me every bit some kind of freak from the middle of nowhere. And these things do matter a lot when you are sixteen, seventeen."[12] Heap's mother (an fine art therapist) and father (a construction stone retailer) separated when she was twelve years old.[13] Also at historic period twelve, she taught herself how to apply Cubase on an Atari computer at Friends Schoolhouse.[7] By the age of thirteen, she had begun writing songs.[14] [15] At age 15, she began using reel-to-reel recording to tape her music, using a home computer to plan the music.[9]

Career [edit]

1995–1996: Almo Sounds & Acacia [edit]

Afterwards boarding school, she went on to study at the BRIT School for Performing Arts & Applied science in Croydon, Due south London, where she first began regularly singing and writing songs due to loneliness. It was there that she recorded her first vocal to feature her vocals, "Missing You", which was released on the BRIT School's Class of 1994 album and earned her attention from manager Mickey Modern after he saw her functioning at a talent showcase.[viii] [seven] After being introduced to Nik Kershaw by Modern, Heap recorded demos which were taken to Rondor Music. A few months later, Heap signed her start record contract, anile 18, with independent record label Almo Sounds.[x] [xvi]

In 1996, Heap began working with British experimental popular band Acacia, which featured her futurity collaborator Guy Sigsworth. While never a full member of the band, Heap was a invitee vocalist and contributed to various Acacia singles and album tracks.[17] Heap'south first major alive solo performance was equally part of the line-up for the 1996 Prince's Trust Concert in Hyde Park.[eighteen]

1998–2001: I Megaphone [edit]

Heap's debut commercial single, "Getting Scared", was released in 1997. The song became the lead single from her debut album, I Megaphone, and was included in the soundtrack for the 1998 horror pic I Still Know What You Did Last Summer.[xix] She released her debut album, the alternative rock record I Megaphone, on 16 June 1998 through Almo.[twenty] The record was fabricated with several producers, including English musician Dave Stewart and Sigsworth, and received some critical praise simply was a commercial failure, every bit Almo did piddling to promote the album. Soon after Heap released the record, Almo Sounds was caused by Universal, forcing its artists to either move to other labels or exist released. Heap was one of the artists who was dropped from the characterization, leaving her without a record contract.[eight] [10] I Megaphone had, however, been licensed from Almo Sounds to Aozora Records in Japan, who eventually re-released and re-promoted the album in Jan 2002, and included the bonus tracks "Blanket" and "Airplane".[21] [ meliorate source needed ]

During her time as an unsigned artist, Heap appeared on two singles: "Meantime", a track written by her old Acacia colleagues Guy Sigsworth and Alexander Nilere for the soundtrack to the independent British film G:MT – Greenwich Hateful Time,[ commendation needed ] and "Coating", a 1998 collaboration with British hip hop band Urban Species. "Blanket" was Heap's first charting unmarried, reaching number 56 on the Great britain Singles Chart.[22] The vocal would after appear in a 2005 sexual activity tape of Limp Bizkit frontman Fred Durst.[23] Heap appeared as a featured vocaliser on two songs—"Dirty Listen" and "Rollin' and Tumblin'"—on the 2001 album Y'all Had It Coming past English guitarist Jeff Beck.[24]

2002–2003: Frou Frou [edit]

Heap had kept in contact with Guy Sigsworth (who had co-written and produced "Getting Scared" from I Megaphone), and this led to the pair of them establishing the collaborative projection Frou Frou.

The initial concept for Frou Frou was Sigsworth's, and the project was to have been an anthology written and produced by her with each track featuring a different vocalizer, songwriter, poet or rapper. Heap explains that Sigsworth invited her over to his studio to write lyrics to a iv-bar motif he had, with 1 condition – that she include the word "love" somewhere. The first line she came up with was "lung of love, leaves me breathless", and the Details album runway "Flicks" was written. A week later, Sigsworth chosen Heap again, and together they wrote and recorded the future single "Exhale In".

On iv June 2002, they released Details, their first and only anthology to engagement. The anthology spawned the singles "Breathe In", "It'south Good to Be in Love" and "Must Be Dreaming". The vocal "Allow Get" was featured on the soundtrack for the 2004 film Garden Land.[25]

In belatedly 2003, after an extensive promotional bout of the UK, Europe and the US, the duo was told that their record label Island Records would not be picking upwardly the choice for a 2d album.

Heap and Sigsworth remain firm friends and accept worked together since the project, including their temporary re-formation in late 2003, when they covered the Bonnie Tyler classic "Property Out for a Hero" which was featured during the credits of the flick Shrek 2 afterwards Jennifer Saunders' version in the film. Frou Frou saw a resurgence in popularity in 2004, when their anthology track "Let Get" was featured in the motion-picture show Garden Land, the soundtrack of which won a Grammy award.

In a 2005 interview, Heap said of Frou Frou, "[Information technology] was really like a kind of little holiday from my own work. Guy and I, nosotros take e'er worked together, and so over the years, information technology became clear that we wanted to do a whole album together. It was very organic and spontaneous – only ane of those wonderful things that happens. But there was never a mention of a second record from either of u.s.a., and not uncomfortably. We're just both kind of free spirits. I love to work with a lot of different people, simply I was as well just gagging to see what I could do on my own. Just I'm sure in the hereafter, Guy and I will get back together to do another record, or to record a few songs together."[26]

2004–2007: Speak for Yourself [edit]

In December 2003, Heap appear on her website that she was going to write and produce her second solo album, using her site as a blog to publicise progress.[ citation needed ]

Heap recorded a rendition of the song "I'm a Solitary Piddling Petunia (In an Onion Patch)" for the seventh episode of the fourth season of the HBO drama series Half dozen Anxiety Nether, which premiered in August 2004.[27] Her rendition afterward appeared as the anthology closer for the 2005 soundtrack album Half-dozen Feet Under, Vol. ii: Everything Ends.[28]

Heap ready herself a borderline of one year to make the anthology, booking a session to primary the album one year ahead in December 2004. She re-mortgaged her flat to fund production costs,[29] including renting a studio at Atomic Studios, London (previously inhabited by United kingdom grime artist, Dizzee Rascal), and purchasing instruments.[30]

At the end of 2004, with the album completed, Heap premiered two album tracks online, selling them prior to the album'southward release – "Just for Now" and "Goodnight and Go".[ citation needed ]

In May 2005, Heap released the lead single from her forthcoming album, "Hide and Seek". The song earned immense popularity afterwards existence used to score the season ii finale of the Fob television series The O.C. on the same 24-hour interval as its release.[ix] It peaked in the top-40 of the Billboard Digital Songs chart, eventually receiving a gold certification from the RIAA and going on to exist sampled in the song "Whatcha Say" by American singer Jason Derulo, which topped the Billboard Hot 100.[31] [32] [33]

Heap released the album on her own label, Megaphonic Records. The album was titled Speak for Yourself. Speak for Yourself was released in the UK on 18 July 2005 on CD and iTunes Uk, where it entered the top ten chart. The initial 10,000 physical copies pressed sold out, distributed through large and independent record stores and Heap's own online store. In Baronial 2005, Heap announced that she had licensed Speak for Yourself to RCA Records for the album's release in the Us, Canada and Mexico. The album was released in November 2005 and débuted at number 144 in the Billboard Top 200 album nautical chart. In concert, Heap performed solo, controlling the sound through her laptop, equally well as singing and playing the piano and array mbira.[ citation needed ] Also that month, Heap appeared on the soundtrack for the 2005 romantic comedy film Just Like Sky, performing a cover of the song "Spooky" by American band Classics Iv.[34] Heap appear, upon her return to the UK, that she had signed a deal for the anthology to be released internationally, as well as re-promoted in the Britain, with a new imprint of Sony BMG, White Rabbit, run by erstwhile Sony BMG UK A&R vice president Nick Raphael.[ commendation needed ]

In November 2005, Heap wrote and recorded the song "Tin't Accept It In" for the soundtrack of the fantasy moving picture The Chronicles of Narnia: The King of beasts, the Witch and the Wardrobe, which was released one calendar month later.[35] [36]

Speak for Yourself was re-released on the label on 24 April 2006, ahead of a full promotional push on 15 May, a calendar week afterwards the 2nd single, "Goodnight and Go", was commercially released in the Uk.[ citation needed ] Heap recorded an a cappella cover of the Leonard Cohen song "Hallelujah" for the season three finale of The O.C., which premiered in May 2006.[37]

In August 2006, Heap performed a set at the Five Festival,[38] [ meliorate source needed ] where information technology was appear that "Headlock" was to exist the tertiary unmarried lifted from the album and released on xvi October 2006 in the United kingdom of great britain and northern ireland.[ commendation needed ] Heap wrote and performed the song "Glittering Deject", which was based on the plague of locusts, every bit part of an upshot called the Margate Exodus sponsored by Artangel in November 2006, where 10 artists each performed one vocal based on 1 of the Plagues of Egypt in Margate.[39] The songs were compiled in the 2006 album Plague Songs.[40]

In late September and early on October, Heap embarked on a tour of the United kingdom of great britain and northern ireland, holding a contest on MySpace for unlike back up acts for each venue earlier touring throughout Canada and the US in Nov and Dec. This was her beginning tour of Northward America that included a band, incorporating upright bass, percussion, and back up acts Kid Beyond and Levi Weaver on beatbox and guitar, respectively. In December 2006, Heap was featured on the front end page of The Green Room mag.

On vii Dec 2006, Heap received two Grammy nominations for the 49th Annual Grammy Awards, 1 for Best New Artist and the other for All-time Vocal Written For Picture, Television Or Other Visual Media for "Can't Take It In".

2008–2010: Ellipse [edit]

Heap performing in Liverpool, England in 2010

Throughout the creation of her anthology Ellipse, Heap posted vlogs, or VBlogs equally she called them, on YouTube.[41] She used these to comment on the album equally well as update on its release. The album's release was pushed dorsum multiple times. These included Heap being asked to perform at the annual event PopTech in October 2008. During the issue, she premiered one of her anthology's songs, "Wait information technology Out".[ commendation needed ]

In Oct 2008, Heap gave a musical performance in the anti-homo trafficking documentary and rockumentary film Phone call + Response, directed by Justin Dillon.[42] She was besides featured on 2 songs on Jeff Beck'south live album Live at Ronnie Scott's and appeared in the accompanying DVD in April 2009.[43]

Heap announced on her Twitter page that Ellipse 's offset single would be "First Train Domicile".

On 17 August 2009, Heap made the unabridged album Ellipse available for live streaming via her webpage.

Ellipse was released in the United kingdom on 24 August 2009 and in the Us on 25 August 2009.

Heap received two nominations for the 49th Annual Grammy Awards, where she won the Grammy Honour for Best Engineered Album, Not-Classical for her engineering work on Ellipse, making her the first female person artist to win the honour.[44] [45] [46]

2011–2014: Sparks [edit]

In March 2011, Heap began working on her then-unnamed fourth studio album, Sparks, and revealed that she would be writing and releasing a new single for the album once every three months, showtime with the recording and release of the album's lead single, then released under the working title "Heapsong1" and eventually released commercially as "Lifeline", via Ustream.[47] [48] "Propeller Seeds", the second single, followed in July 2011.[49]

The third single from the album, "Neglected Infinite", was created equally part of Heap's project with charity organisation Clear Village to restore a walled garden in Bedfords Park in October 2011.[50] She starred in the debut episode of the MTV India musical reality television serial The Dewarists, where she recorded "Minds Without Fear", her fourth single from Sparks, with Indian production duo Vishal–Shekhar.[51] [52] Both "Neglected Infinite" and "Minds Without Fear" were released in Oct 2011.

Heap released "Xizi She Knows", the fifth single from the album, in February 2012.[53]

On six May 2011, Heap tweeted that she and deadmau5 were working on a collaboration. The song was titled "Telemiscommunications" and included in deadmau5'due south sixth studio album, Album Title Goes Here.[54]

On 9 September 2012, Heap wrote and released "Someone's Calling" as a ringtone.[55] Also in 2012, she showcased the Mi.Mu gloves on an episode of the BBC idiot box series Dara Ó Briain's Science Club.[56]

Heap's fourth anthology, Sparks, was released on eighteen August 2014.[57]

2015–nowadays: Harry Potter and the Cursed Child [edit]

In October 2015, Heap released the single "Tiny Human being" using her blockchain-based platform Mycelia.[58] Sales of "Tiny Human" via Ethereum smart contracts as of October 2017 were £30,000.[59] [threescore] After being contacted by movement director Steven Hoggett, Heap reworked and composed music from her catalogue to be used as the music in Harry Potter and the Cursed Kid, the eighth instalment of the Harry Potter series in the course of a Due west Cease play that opened in the summertime of 2016.[61] [62] For her work on the play, she received several award nominations, including for the Grammy Honor for Best Musical Theater Album, the Laurence Olivier Award for Outstanding Accomplishment in Music and the Outer Critics Circle Honour for Outstanding New Score (Broadway or Off-Broadway), and won the Drama Desk Award for Outstanding Music in a Play.[63] [64] [65] [66]

In 2015, Heap signed a worldwide agreement with Downtown Music Publishing. The bargain covered Heap'due south portion of Taylor Swift's fifth studio album 1989 finale, "Make clean," plus five songs from Heap's 2014 album, Sparks: "The Beast", "Entanglement", "Climb to Sakteng", "Run-Fourth dimension" and "Cycle Song".[67] Her participation in 1989 led her to become part of the production team that won Album of the Year at the 58th Grammy Awards.[68] [69] She was 1 of the artists featured in an episode of the 2016 PBS docuseries Soundbreaking and she narrated and equanimous music for the 2016 documentary Crossing Bhutan, which premiered at the Santa Barbara International Movie Festival.[70] [71] Also in 2016, she was deputed by French ad bureau BETC and British visitor Moo-cow & Gate, in collaboration with researchers from Goldsmiths, University of London, to assistance write a song which would exist proven to "make babies happy", which was somewhen titled "The Happy Song".[72] The track was engineered through several months of scientific testing and was released in October 2016.[73]

Heap wrote, produced and recorded the vocal "Magic Me" as the score for the 2017 animated short film Escape, which premiered at the 2017 Tribeca Motion-picture show Festival in Apr of that year.[74] Heap also recorded "The Tranquility" as the stop credits vocal for the 2017 Square Enix video game The Quiet Homo.[75] She performed "Hide and Seek" at the benefit concert and boob tube special One Dear Manchester in Manchester in June 2017. Her performance was praised past critics as "powerful" and "melancholy".[76] [77] [78] The following calendar month, she was featured on the song "Nosotros Drift On" past British singer-songwriter Dan Black from his 2d studio album Do Non Revenge.[79] She appear in November 2017 that she would be reuniting Frou Frou with Guy Sigsworth and would exist embarking on the Mycelia World Bout with him to promote the release of Mycelia's Artistic Passport program.[80] In March 2018, she was awarded the Inspiration Honour at the 2018 Music Producers Club Awards.[81]

On xviii September 2018, Heap released The Music of Harry Potter and the Cursed Child in Four Contemporary Suites, a condensed soundtrack album of the play.[82] An interview with her appeared in the Alex Wintertime-directed documentary Trust Machine: The Story of Blockchain in November 2018.[83] The Mycelia Earth Bout began in Europe in 2018, while the Northward American leg began in April 2019, marking her first Due north American tour in nine years and her offset tour every bit part of Frou Frou since 2003.[84] That same month, she and Sigsworth released "Guitar Song (Live)", their first Frou Frou song in 15 years, through Nosotros Are Hear.[85] She gave a lecture at Boston Calling Music Festival in May 2019.[86] In June 2019, she announced that she planned to release an anthology consisting of collaborations in 2020, the lead single of which would be one of three versions of "The Quiet".[87] She also performed on NPR's Tiny Desk Concerts serial that same month.[88]

She hosted the 62nd Annual Grammy Awards Premiere Anniversary in January 2020.[89] In Apr 2020, she appeared as a main artist on the commercial re-release of the 2009 song "I'm God" by Italian-American record producer Clams Casino, which samples Heap's song "Just for Now", and released the unmarried "Phase and Flow" as part of a collaboration with IBM.[90] [91] The following calendar month, she performed during Royal Albert Hall's Regal Albert Domicile virtual concert series.[92] Heap gave a livestreamed endmost performance for the Virtual Pattern Festival held by Dezeen in July 2020.[93] During the COVID-19 pandemic, she launched a cocky-titled app for fans to view unreleased textile and demos and participate in listening parties with her through Discord for a monthly fee, and began piece of work on a projection called "Augmented Imogen", meant to be an AI version of herself.[58] She released the unmarried "Last Night of an Empire" in December 2020.[94]

Film [edit]

After touring for nearly two years straight for her anthology Speak for Yourself, Heap continued her travels, this time with merely a laptop and video camera on paw as she began her writing trip for her adjacent anthology. 9 weeks after she returned to the UK with the beginnings of the award-winning Ellipse and footage (as requested past a fan to moving-picture show the making of the album) from its quiet outset. Dorsum in Essex, Heap hired Justine Pearsall to certificate the cosmos of the album. The film documents the creation of the anthology and the renovation of Heap'south childhood habitation, including turning her onetime playroom into her new home studio. Everything In-Between: The Story of Ellipse was released in November 2010.

On v November 2010 at the Royal Albert Hall, Heap conducted an orchestra including her friends and family equally they performed an original piece equanimous by Heap and orchestrated by Andrew Skeet. Heap also worked with London Contemporary Voices at this time, a scratch choir formed for this concert, which continues as a new choir in its ain correct. It was the score to the concept motion-picture show Love The Earth, for which fans were invited to submit video footage highlighting all the qualities of nature to be selected and edited into a film. This performance was broadcast alive worldwide.[95]

In March, for the Birds Eye View Film Festival at the Southbank Centre, Heap, in collaboration with Andrew Skeet, composed an a cappella choral score for the beginning-ever surrealist film The Seashell and the Clergyman (Germaine Dulac, 1927), with the Holst Singers, a programme repeated at the Reverb Festival at the Roundhouse in February 2012 and in the Sage, Gateshead.

Heap performed in the Film and Music Arena at Latitude Festival in 2011.

In 2014, filmmaker Christopher Ian Smith[96] made Cumulus,[97] an experimental documentary exploring fundamental elements of Heap'due south background, personality and music practice. Crafted entirely out of social media content and information created past Heap and her fans, Cumulus explores Imogen's digital footprint and identity as well as her relationship with fans. The flick is available to view online.[98]

Other endeavors [edit]

Mi.Mu [edit]

Heap demonstrating her Mi.Mu gloves at the 2018 Web Summit

In July 2011, Heap unveiled a pair of in-development, wired musical gloves at the TEDGlobal conference in Edinburgh, Scotland. They were originally developed by Heap with Tom Mitchell, a University of the West of England, Bristol lecturer in music systems, and designed and sewn by Rachel Freire, a costume designer, over the form of the prior two and a half years.[99] [100] They were inspired by another pair of musical gloves developed by engineer Elly Jessop at MIT which Heap had witnessed during a visit to the university's Media Lab. Early on versions of Heap'south gloves had issues with latency and accuracy.[99] In an interview, Heap stated, "The gloves help me embody those sounds which are hidden inside the reckoner, for me to physicalize them and bring them out then that I tin can play them and the audience members will understand what I am doing—rather than fiddling around on a keyboard and mouse which is not very clear—I could only be doing my emails."[101]

The gloves, which eventually came to exist known as the Mi.Mu gloves (a name derived from an abridgement of "me" and "music"),[46] are made from the material Yulex and consist of a hardware lath at the wrist developed by Seb Madgwick with an inertial measurement unit used to determine the speed and orientation of the hands, flex sensors over the knuckles, a haptic motor, a removable battery, open palms and LED lights in between the pollex and forefinger which indicate whether or not the user is recording.[102] [99] Open Sound Control data is sent to a estimator, which can perform a number of dissimilar actions, including adjusting volume, recording loops and filtering sound.[103] [104] The gloves also come with a custom software chosen Glover that can be integrated with music production apps such as Ableton Live and Pro Tools, and use 802.eleven Wi-Fi.[105] [99]

Heap recorded the sixth unmarried from Sparks, "Me the Auto", using an early version of the gloves, debuting the single during a livestream on World Solar day in 2012.[102] Heap began crowdfunding to produce more pairs of the gloves in Apr 2014 on Kickstarter, with a goal of £200,000, but the campaign failed to see its target. However, the Mi.Mu project found investors who collaborated with Heap's team to proceed to develop the gloves.[101] [106] An early on investor and user of the gloves was American vocalizer Ariana Grande, who used the gloves during her second concert tour, The Honeymoon Tour, in 2015. In April 2019, the Mi.Mu gloves became publicly available for pre-society.[99] Popular Scientific discipline named the Mi.Mu gloves on their list of the 100 greatest innovations of 2019.[105]

Mycelia [edit]

In October 2015, Heap released the single "Tiny Human" using the blockchain-based platform Mycelia, which she created as a decentralized musical database for artists to share their music on and enforce smart contracts using Ethereum.[58] [107] [108] Mycelia's Creative Passport program is a personalized profile for artists not signed to a major characterization.[80] [58] [109]

Artistry [edit]

I just love crafting and shaping sounds. Actually, many of the sounds that I work with start off as organic instruments – guitar, pianoforte, clarinet, etc. But I do love the rigidity of electronic drums... I would record live drums, and then I would spend a day editing them to take the life out of them. I like to breathe my own life into these sounds, and I exercise endeavour to keep the "air" in the music.

—Imogen Heap[26]

In the tardily 1990s, Heap's music was largely alternative rock. Her earlier songs, specifically those from her debut album I Megaphone, were oft compared in the media to those of fellow singer-songwriters Tori Amos, Kate Bush-league and Alanis Morissette.[110] [111] [twenty] Still, after forming and subsequently disbanding the electronic duo Frou Frou, whose piece of work on their sole album to engagement, Details, was mainly culling pop and electropop, her music became primarily based in popular, specifically electropop, art pop and synth-popular.[112] [113] [114] [twenty] She has written, produced and engineered almost of her music on her own.[45] She has also stated that she rarely listens to music, but draws inspiration from TED conferences.[115]

Heap plays a number of instruments, including piano, clarinet, cello, guitar, drums and the array mbira.[6] She extensively uses manipulated electronic sounds as an integral part of her music. She besides mixes ambience sound into her music and has commented that "certain sounds give the music a width and a space, and that'due south important."[26] CNN stated that Heap is known for "her distinctive fusion of soft acoustic sounds, electronica and tech".[101]

Heap states that her vocal lyrics come from personal experience, but are non straightforwardly confessional. She has stated, "Almost of the time, the lyrics are kind of like my undercover messages to my friends or my boyfriend or my mum or my dad. I would never tell them that these songs are about them or which specific lyric is about somebody. Often, when I sit down downwards to write a lyric, information technology is in the heat of the moment, and something has just happened."[26]

Heap'due south frog-themed outfit at the 49th Annual Grammy Awards has been included in several lists of the most "outrageous" Grammys outfits of all time.[116] [117] [118] [119]

Legacy [edit]

Heap has been regarded as influential in popular music, specifically in electropop and for using applied science in her music. NPR's Lindsay Kimbell likewise referred to Heap every bit a "pioneer of electronic pop" in 2018.[113] Billboard called Heap an "electro-popular innovator".[120] In 2018, Stereogum 's Margaret Farrell referred to Heap as "pop's unsung pioneer" and "an electronic pop mastermind", going on to describe her as "a mystical strength that has loomed over pop music for nigh 2 decades".[nineteen] In 2019, The New York Times similarly called Heap a "pop pioneer" whose work "has established her every bit an innovator in musical technology".[121] For Paper, Matt Moen called Heap "the Nikola Tesla of pop music" in that "[her] influence in the field of pop has largely gone unappreciated in her own time".[9] Various outlets, including NPR and New Statesman, accept called Heap a "tech pioneer".[58] [122] Patrick Ryan of USA Today wrote that Heap "pioneered" the subgenre of folktronica, which combines elements of folk music and electronica.[123]

Heap has been cited every bit a musical inspiration by a number of artists and groups, including Ariana Grande,[124] Bebe Rexha,[125] Ellie Goulding,[126] Kacey Musgraves,[127] Pentatonix,[128] [129] Chloe Bailey,[130] Empress Of,[131] Dawn Richard,[132] Jamila Forest,[133] Muna,[134] Mree,[135] Woodes,[136] Ben Hopkins,[137] Matthew Parker,[138] Red Moon,[139] Michelle Chamuel,[140] Chaz Cardigan,[120] Laura Doggett,[141] GoodLuck,[142] Kool Kojak,[143] and Stars and Rabbit.[144] Heap'due south songs take also been covered by artists including Pentatonix[145] and Kelly Clarkson,[146] and have been sampled by artists including Grande, Jason Derulo, Wiz Khalifa,[147] Mac Miller, Clams Casino, Lil B,[148] Ryan Hemsworth, Deniro Farrar,[149] Suicideboys,[150] ASAP Rocky, MellowHype, Trinidad James,[151] Kendrick Lamar,[32] and Vierre Deject.[152] The sampling of her songs has been considered influential in the subgenre of cloud rap.[153]

Charity [edit]

In 2008, Heap participated in an album called Songs for Tibet: The Art of Peace, which is an initiative to back up Tibet, Dalai Lama Tenzin Gyatso and to underline the human rights situation in Tibet. The album was released on 5 Baronial via iTunes and on nineteen August in music stores around the world.[154] On 12 October 2008, Heap participated in "Run 10k: Cancer Research United kingdom of great britain and northern ireland", placing 5th of the women in the actual run and raising over £thou for the crusade with the help of her fans.

In 2010 Heap began performing improvised pieces at shows, asking for donations for clemency after the testify to download the song.[ commendation needed ]

In 2011, Heap played a benefit concert in Christchurch, New Zealand, to help rebuild the Unlimited Paenga Tawhiti High School following a severe earthquake which destroyed a large portion of the city earlier in the year. The concert was held at the Burnside High Aurora Center, also featuring performances from Roseanna Gamlen-Greene, and The Harbour Spousal relationship including The Eastern, Lindon Puffin, Delaney Davidson and The Unfaithful Ways. It was her only New Zealand testify for the twelvemonth.[155]

On four June 2017, Heap performed at One Love Manchester, a benefit concert organised past Ariana Grande in response to the bombing afterwards her concert at Manchester Arena two weeks earlier. She performed "Hide and Seek".[156] [157] Other glory participants included Katy Perry, Justin Bieber, Niall Horan, Coldplay, Miley Cyrus and Pharrell Williams.

Live iv X [edit]

In 2010, Imogen Heap partnered with Thomas Ermacora of Bubbletank[158] to organise a serial of online charitable events called Live 4 10.

The initial event was inspired by the 2010 Pakistan floods. Triggered by monsoon rains, the floods left approximately one-fifth of the country of Islamic republic of pakistan under h2o, affecting over 14 million people and dissentious or destroying over 900,000 homes. Teaming up with Richard Branson's Virgin Unite and Vokle.com, Heap and Ermacora created a webcast/online fundraiser to enhance awareness and money for those affected by the floods. Hosted by comedian, creative and Internet personality Ze Frank, the webcast included a series of conversations with Cameron Sinclair of Architecture for Humanity, Gary Slutkin and Anders Wilhelmson (and afterwards Richard Branson and Mary Robinson), with live performances by musicians Ben Folds, Amanda Palmer, Kate Havnevik, KT Tunstall, Josh Groban, Kaki King, Zoe Keating and Mark Isham.

The premise of Live iv X thus established, Heap has since continued to refine the model, organize, host and perform a number of charitable, live-streaming concert events. By integrating live entertainment with educated discussion and technology, Live iv X became an effective charitable outreach tool.

Following the Peachy East Japan convulsion and tsunami of 2011, Heap told Washington Times Communities journalist and recording creative person Jennifer Grassman that she intended to go along organising Live 4 X events to benefit various charitable causes.[159]

Catalogue of Live 4 X events to date:

  • 31 August 2010 – Live 4 Pakistan raised funds for flood relief and recovery in that region. Musicians included Ben Folds, Amanda Palmer, Kate Havnevik, KT Tunstall, Josh Groban and Zoe Keating. In an ironic turn of events, Heap was kept from appearing on Live iv Islamic republic of pakistan due to Hurricane Earl which at the time was progressing along the US eastern seaboard. Heap, stranded and unable to get an internet connection, later on posted a video message as well every bit a performance of her song "Wait It Out" from Ellipse.[160]
  • three February 2011 – Live 4 Cape Town [161]
  • 11 April 2011 – Live 4 Sendai raised funds for Japanese tsunami recovery following the disastrous Great East Japan convulsion of 2011. The event was also used to solicit rebuilding pattern ideas on behalf of Architecture for Humanity. Performers included Amanda Palmer, Ben Folds, KT Tunstall and Jamie Cullum and hosted by Ze Frank.[162]

Personal life [edit]

Heap began dating film director Michael Lebor in 2012.[11] In June 2014, Heap announced in her video blog that she was pregnant with her first kid with Lebor. She gave birth to their daughter after that yr.[163] [ amend source needed ]

Heap's sister, Juliet, died while abroad in November 2019.[58] [92]

Discography [edit]

  • I Megaphone (1998)
  • Speak for Yourself (2005)
  • Ellipse (2009)
  • Sparks (2014)

Tours [edit]

  • Ellipse Tour (2009–2010)
  • Mycelia Tour (2019–2020)

Awards and nominations [edit]

See also [edit]

  • List of ambient music artists

References [edit]

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  170. ^ "Women in Music 2020 register interest". world wide web.futureevents.uk . Retrieved 7 Apr 2020.
  171. ^ "Brokeback, Kong amidst Globe Soundtrack Honour nominees". Retrieved nineteen December 2012.

External links [edit]

  • Official website
  • Imogen Heap at TED Edit this at Wikidata

sealsturat1947.blogspot.com

Source: https://en.wikipedia.org/wiki/Imogen_Heap

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